Andi and Lise are both on the ground at ClexaCon in Las Vegas, Nevada and so is Anna from The Lesbian Review, who also attended last year. Andi and Lise chat with Anna about ClexaCon then and now, fandoms, and how important queer representation is and the role ClexaCon plays in that.
Andi and Lise are super-stoked this week because they managed to score an interview with three ClexaCon directors/organizers (Ashley had to step out to conduct official ClexaCon business during the interview, but we appreciate her dedication to the cause).
Joining us is Holly W., Danielle J., and Ashley A., all of whom not only direct and organize this event, but coordinate with other team members to do whatever needs to be done.
ClexaCon officially launched in March, 2017 as a response to the myriad deaths of queer women characters in media, particularly the death of the character of Commander Lexa of the CW show The 100 (pronounced “the hundred”). That character died in an egregious example of the “bury your gays” trope, and in the wake of her death, LGBTQ fans and allies rallied in opposition to this trope and sparked a revolution of organizing and community outreach that continues unabated.
Named for the iconic ship of Clarke Griffin and Commander Lexa (Clexa), ClexaCon is the first and largest multi-fandom event for LGBTQ women and allies. It brings together thousands of diverse LGBTQ fans and content creators from around the world to celebrate and encourage positive media representation of and for LGBTQ women.
The event is scheduled for 5-9 April in Las Vegas, Nevada.
Lise (LMac) asks Andi about ClexaCon (and probably wishes she hadn’t) and Andi talks about her experience at this, the inaugural conference which is all about queer women’s representation in media. Amaze-balls and transformative. For reals.
You can find out more about the program and what it’s all about at the ClexaCon website.
Lez Geek Out! is a geek culture podcast that celebrates popular culture with an eye for the woman-loving-woman audience. It focuses mainly on work with lesbian/bi/women-loving-women themes/characters, but sometimes strays into territory where the subtext is strong, and the female characters are stronger.
The covers all forms of media are explored, be they books, movies, TV shows, graphic novels, web-comics, or anything else that fits the bill.